Gallery

In Blue Silence, Crimson Bite, tension coils in colour—the moment suspended between poise and peril. A serpent undulates through the composition, its red scales bleeding into blue, like a flame cooling into dusk. Its form is sinuous, alert, alive with a restrained threat that pulses just beneath the surface. Hovering above, a bird of chilling grace—feathers hued in icy blue and edged in white—casts a watchful eye. Its presence is not passive; it is a counterpoint, an echo of calm defiance. The dark background folds around the figures like velvet dusk, intensifying their vivid palette and isolating them in a charged duet. This tableau hums with unspoken myth: predator and prey, sky and earth, silence and bite. While Echoes of the Forest mourned and Lux Aeterna reflected, Blue Silence, Crimson Bite confronts. It’s a painting mid-breath, trembling with the possibility of action and the poetry of balance.

In Lux Aeterna, the artist conjures a quiet requiem of warmth amidst shadow—a still life meditation where light becomes memory. A single candle burns at the heart of the composition, its golden flame casting reverent illumination across a solemn spread: red apples like bruised hearts, dusky grapes clinging to time, a lemon glinting like faded sunlight. Nearby, the deep burgundy of wine waits untouched in its glass, echoing silent communion, while a green glass pitcher catches remnants of the surrounding glow, its reflection rippling like a distant hymn. The backdrop, dark and unobtrusive, allows each object to sing softly in its own register. Together, they evoke a hushed harmony: of transience, of abundance framed by impermanence. Where Echoes of the Forest explored rebirth through decay, Lux Aeterna finds the sacred in stillness—in a light held tenderly before it fades. A study in quiet reverence, this piece invites contemplation: of the eternal in the ephemeral, and the hush between what was and what remains.